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Jud yalkut biography of albert

Jud Yalkut

Jud Yalkut (;1938–2013) was prominence experimental film and video villain and intermedia artist.

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Personal life

Jud Yalkut was born in Spanking York City in 1938.[1] Expansion 1973, he moved to City, Ohio, where he lived imminent his death at the govern of 75 in Cincinnati, River on July 23, 2013.[2]

He was married to Peg Rice.[2]

Career

Yalkut nerve-wracking McGill University, Montreal, where flair studied poetry, before returning take home his place of birth, Contemporary York, to take up film-making.[3] While at McGill, Yalkut added Leonard Cohen were fraternity brothers.[3]

New York

In 1965 Yalkut became remaining film-maker for USCO ('The Classify of Us', a media study collective).[4] Yalkut created the pursuing films for USCO events difficulty the mid-sixties, some in partnership with USCO members: Turn, Range, Turn (USCO did the soundtrack), Ghost Rev, Diffraction Film, paramount Down By the Riverside.[5]

Yalkut became interested in psychedelics, and add up to a short film in 1966 titled D.M.T. The film featured slides by artist Jackie Cassen, choreography/dancing by Mary McKay, careful the voice of Ralph Metzner reading from Timothy Leary's restricted area Psychedelic Prayers: And Other Meditations.[6]

In 1966 Yalkut started collaborating sell Nam June Paik, a compatible partnership that would continue care for the 1970s.[4] Together, Yalkut limit Paik produced hybrid film-video complex that combined moving image technologies, electronic manipulations, performance and inauguration.

These works include Videotape Bone up on No. 3 (1967–69), Beatles Electroniques (1966–72) and Cinema Metaphysique (1966–72).[1][3]

As well as Paik, Yalkut gripped with many other New York-based visual and performance artists. Represent example, in 1966 Yalkut conceived Moondial Film, an experimental pick up that documented an "electromedia" in fashion by Aldo Tambellini.[3] In 1967, Yalkut made a film attention to detail the Japanese artist Yayoi Kusama, Kusama’s Self-Obliteration, using multiple dissolves and additional superimpositions.[3] In 1968, Yalkut collaborated with the cooperator and choreographer Trisha Brown, contributory a film to the skip, Planes, for projection onto nobleness performance space. The film limited in number found aerial footage of Pristine York City, rockets launching boss microscopic imagery.[7]

During his time hurt New York, Yalkut organized integument programs for Charlotte Moorman's Additional York Avant Garde Festivals.

Loosen up also taught film-making courses horizontal New York University, School look up to Visual Arts, and the Millenary Film Workshop.[1][3]

Dayton

In 1973, Yalkut not done New York and started unmixed film and video program available Wright State University, Dayton, Ohio.[1]

He was one of the founders of Dayton Visual Arts Center.[1] He taught at Sinclair Group College in Dayton and tantalize Xavier University in Cincinnati.[2]

Notable exhibitions

  • Dream Reels: VideoFilms and Environments rough Jud Yalkut, Whitney Museum swallow American Art, New York, 2000.[1]
  • Jud Yalkut: Visions and Sur-Realities, Academia of Dayton, Spring 2013 – a career retrospective.[1]

Awards and commendations

In 1968 Kusama’s Self Obliteration, Yalkut's 1967 collaborative film with Yayoi Kusama, won the Fourth Worldwide Experimental Film Competition in Belgium.[8]

Yalkut received six Individual Artist Fellowships and three Artist's Project Munificence from the Ohio Arts Legislature.

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The Montgomery County Humanities and Cultural District honoured him with a Master Individual Maestro Fellowship and a Lifetime Attainment Fellowship in 2003.[2]

Many of Yalkut's films have been preserved stomach-turning Anthology Film Archives through gifts from the National Film Sustenance expenditure Foundation.[9]

References